In 1990, what was to become the world’s largest student design conference, was founded in Melbourne, Australia. Over a period of twenty-five years, the conference hosted over six hundred and sixty of the world’s leading designers. Within the conference formats there were a number of specific programmes designed to inform, educate and inspire a variety of different audiences about the benefits and value of design.
Each year, the identity and event graphics were renewed and, as would be expected, the delegates were highly aware of the style, language and graphic quality for each event.
Each event had extensive motion graphics to introduce the conference, as well as individual introductions for each of the participating speakers.
The posters to announce the conference were to be displayed in many varying and space-constrained situations. In order to accommodate this constraint, the posters were designed as a modular system, allowing for multiple formats to maximise each promotional opportunity.
The Design Foundation
agIdeas
In 1990, what was to become the world’s largest student design conference, was founded in Melbourne, Australia. Over a period of twenty-five years, the conference hosted over six hundred and sixty of the world’s leading designers. Within the conference formats there were a number of specific programmes designed to inform, educate and inspire a variety of different audiences about the benefits and value of design.
Each year, the identity and event graphics were renewed and, as would be expected, the delegates were highly aware of the style, language and graphic quality for each event.
Each event had extensive motion graphics to introduce the conference, as well as individual introductions for each of the participating speakers.
The posters to announce the conference were to be displayed in many varying and space-constrained situations. In order to accommodate this constraint, the posters were designed as a modular system, allowing for multiple formats to maximise each promotional opportunity.